These are three players who want to kill this master, who waits with the sword in two hands. The first of these three wants to throw his sword against the master. The second wants to hurt the said master with a cut or thrust. The third one wants to throw two spears that he has ready, as shown here.
I am waiting for these three in this guard, which is Posta Dente di Zenghiaro. You could wait in other guards, namely, Posta di Donna la Sinestra, also Posta Fenestra Sinestra, with the same way and defence that I do from Posta Dente di Zenghiaro. In such a way and with such a defence, these guards will do the same. Fearlessly I wait for them one by one, and I cannot fail against either the cut or the thrust or any weapon that is thrown at me by hand. With the right foot, I advance forward off the line, and with the left foot, I step across to beat aside the weapon from the left. And in this way I do my defence, make the cover, and immediately go on the offensive.
The Mixed Weapons 1st Master uses a common theme of defence found throughout Fiore’s work. Although drawn as Posta Dente di Zenghiaro, Posta di Donna sinestra and Posta Fenestra sinestra work just as well here.
As the attack arrives, slide your right foot off the line of attack to the left . Strike up with a Roverso Sottano while stepping through with your left foot on a 45 degree angle to the left. This will beat the incoming weapon aside, leaving you in Posta di Donna. Your opponents weapon will be well clear giving you a wide opening through which you can deliver a counter attack.
This theme of defence is shared by