Sword in armour - Plays

Sword in armour – 2nd scholar

Folio 33v. a

Translation

When I see my thrust cannot enter either in the chest or face, because of the visor, I remove the visor and put the point in his face. And if this is not enough for me, I will use other, stronger plays.

Interpretation

This play is a variant on the exchange of the thrust. From the master play, you pass your front foot offline. Step through with your left foot and use the resulting hip movement to beat your opponents attack to the right. Keeping your hands low and your point high, lunge forward, stabbing your opponent.

What makes this play stand out is that it is a response to a very specific point in armour development. Helmets had evolved to a stage where visors were strong enough and common enough to be recognised as making certain previously legitimate techniques redundant. Fiore is writing at just the moment after visors require a workaround, but before they are being latched closed as part of a typical build.

Having made the beat, you will be in the range of narrow play. Just as your hips finish their rotation to the right, position your sword to its line of attack, then reach out with your left hand and push the visor up. Your right forearm should be locked to your right hip. Push the right hip forward and use that motion to drive the sword point into your opponents face.

You will also see the exchange of thrusts in the following plays.

  • Sword in two hands – 8th scholar of the 2nd Master
  • Sword in armour – 1st scholar
  • Spear on foot – scholar of the 1st 3 Masters
  • Spear on foot – scholar of the 2nd 3 Masters
  • Spear vs cavalry – 1st scholar

The 3rd scholar of pollaxe also resolves the problem of visors in much the same way.

This play ends with the delightfully pragmatic piece of advice that if it doesnt work, then try something else.

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