Sword in two hands – Posta Tutta Porta di Ferro (Full Iron Gate Guard)

Folio 23 v. a


Here the sword guards of two hands begins and there are twelve guards. The first one is Posta Tutta Porto di Ferro (Full Iron Gate guard) that is like a great fortress. And it is a good guard to wait in against any hand held weapon, long or short, as long as you have a good sword with not too much length. She passes with cover and goes to the narrow play. She exchanges the thrusts and puts hers in. Also she breaks the thrusts to the ground, and always goes with a step. And she covers every blow. This guard gives those who use it great defence and does it without tiring.


Posta Tutta Porta di Ferro appears in variants across several weapon systems within armizare, being used not only in sword, but also grappling, dagger and spear.

Adopt a stance with your left foot forward. Keep your weight on the balls of your feet, your back straight, and your core engaged. Bend your knees slightly and drop your weight. This will give you a very fast, mobile platform to deliver your techniques from.

The real key to this posta is keeping your shoulders and arms relaxed. Your arms will hang naturally in front of your hips. Hold the sword lightly, gripping with the last two fingers of each hand. It is this relaxation as you wait that allows you to explode into action when the right moment presents itself. By relaxing, you also hold your energy in reserve and so do not tire yourself out.

Posta Tutta di Ferro appears open and unprepared, but gives you the ability to sweep your sword across, covering the entire body. As the hands are already near your centre of gravity, a sweep is achieved using a minimum of body movement, making it a deceptively fast action. When accompanied by a step, this is very well suited to exchange or break a thrust and simultaneously enter the narrow play.

Sword in two hands – Posta di Donna Destra (Lady’s Guard on the Right)

Folio 23 v. b


This is Posta di Donna (Lady’s Guard) who can do all of the seven blows of the sword, and she can cover all blows. And she breaks the other guards with the great blows that she can make. And to exchange the thrust, she is always ready. The foot which is in front steps off the line and that which is behind passes across. And the opponent will be unprotected and this will hurt him quickly and surely.


Fiore gives us five different images of Posta di Donna Destra. Outside of this example, we can also see forward and rear weighted variants in the One is like the other section. From the six guards, we also see two more masters in Posta di Donna Destra. One of these is also in a forward weighted variant, and the other carries a boar sword.

Althouh most often shown looking over the shoulder, a feasable variant of this guard is to raise the lead elbow and look under you arm at your opponent. This will change the mechanics slightly and make for an exceptionally powerful downward cut. Such a variant is called Posta di Donna Soprano.

Rear weighting the stance move both your torso and hands out of range, while still leaving loads of potential to deliver an attack.

Regardless of the weighting of the stance, your left shoulder faces your opponent. The sword is chambered over the right shoulder and wound so far back that the point is in line with your left knee. The height of the sword tip varies in the different images, but is more often held down.

Turning the sword this far around means it has to travel a long way to reach your opponent. The distance involved means it loses a little in speed, but maximizes the momentum delivered in every technique. It is this momentum that allows the posta to make the claim that she breaks the other guards with the great blows she makes.

Posta di Donna Destra along with Posta di Donna Sinestra and Posta Porta di Ferro, is one of the Pulsativa guards. Pulsativa translates as to beat or pulse. In these positions you can move from a point of stillness to explode into action.

Sword in two hands – Posta Fenestra (Window Guard)

Folio 23 v. c


This is the Posta de Fenestra (Window Guard) and cunning and deception always lend themselves to it. And of covering and wounding, she is a master. She questions all the guards, both the high and low. And she often goes from one guard to the other to decieve the opponent. And she knows well how to make powerful thrusts and to break and exchange such plays.


Posta de Fenestra is classed by Fiore as one of the unstable guards. Fast, mobile and deceptive, from here you are able to make cuts, thrusts or beats.

Take a rear weighted stance, keeping your body at a long distance from your opponent. Your front foot is able to quickly and easily move without being seen, allowing you to rapidly change your angle of attack. Hold your swords point of balance in the centreline of your body and keep the point threatening your opponent.

A volta stabile should be enough to drive the point straight forward into your opponents face, or by dropping the hands you can sweep the blade across your body and exchange the thrust as first described by the 8th scholar of the 2nd Master.

By pivoting the sword around its balance point, you will make fast tight cuts to either attack your opponent directly or break their attack.

Sword in two hands – Posta di Donna la Sinistra (Lady’s Guard on the Left)

Folio 23 v. d


This is the Posta di Donna la Sinestra (Lady’s Guard on the Left) and she is always ready to cover and wound. She makes great blows and breaks the thrusts and beats them to the ground. And enters the narrow play due to her skill in traversing. These plays such a guard knows how to do well.


Posta di Donna Sinestra mirrors Posta di Donna Destra. At first glance, they appear to be functionally identical, but there are subtle differences between the two.

One of the pulsativa (pulsing or beating) guards, from here you can make powerful cuts, using them to either directly attack your opponent or break the thrust. With the sword chambered so far around behind the body that is rests pointing forward, this generates tremendous momentum.

In particular, from Posta di Donna la Sinestra, by stepping through with the left foot, you can easily enter narrow play, using your left hand in front to pin or bind the opponent, while your right delivers attacks using the sword.

Sword in two hands – Posta Longa (Long Guard)

Folio 24 r. a


This is Posta Longa (Long Guard), full of deception. She is feeling the guards of the opponents to decieve them. If she can wound with a thrust, she will do it well. She dodges the blows and can strike back. She can do it more than the other guards who cannot use such deception.


Posta Longa holds the blade in the centreline with the arms extended, as if having just delivered a long thrust to the face.

It is one of the instabile (unstable) guards. The hands are separated from the core and it lacks structural strength. It is easily beaten to the side, however, the position of the hands means it is quite strong in the vertical plane, and so is not easily beaten up or down.

By constantly extending toward the opponents face, Posta Longa creates an unnerving barrier which keeps them at a long distance. To make any kind of attack, they must first beat aside the point, which is the reference to feeling the guards of the opponents.

Because the opponent is so far away, their techniques are more easily seen. This gives you time to avoid them by dropping back out of the way and making a counter attack.

Downward cuts and high thrusts all pass through Posta Longa.

Sword in two hands – Posta Breve (Short Guard)

Folio 24 r. c


This is Posta Breve (Short Guard) that wants a long sword and is a malicious guard, but has no stability. Also always move and see if you can enter with a thrust and step against the opponent. It is more appropriate to use this guard with armour than without armour.


Rest your left forearm against your body, with your hand resting on your centre of gravity. Adjust your right hand so that the point of the sword is aimed directly at your opponents eyes. Relax your arms and keep your elbows in.

The blade runs straight along the centreline to your opponent. Pointing the blade directly at your opponents face gives a strongly foreshortened view. To a certain extent, this hides the action of the blade.

Although you cannot make effective cuts from here, posta breve is very good for making probing thrusts against your opponent.

Fiore confusingly classes this as a stable guard, and then immediately states it has no stability. As you can see, the sword is attacked directly to the hips, providing it with a great deal of strength, especially in the vertical plane. This is what causes it to be classified as stable. Fiores advice to keep moving when in this guard, as well as his claim that it is better to use in armour, suggests that it is limited in its capability and risky to wait in. This could be what he means when he states it has no stability.

In the ‘one is like the other’ section, Fiore tells us that each posta is its own counter, with the exception of those guards with the point on the centreline, such as this one. In this case the longer sword holds the advantage against its shorter counterpart due to its increased reach.